Il Totano

From chef Harold Dieterle comes Il Totano, a west village Italian restaurant with a gorgeous interior and beautifully seafood-focused dishes. This may have been discussed in another post but, usually, when I’m faced with a restaurant that, often always, I am experiencing for the first time, I tend to choose lighting that compliments the space and the vibe. When the entrees are climbing into the $40 range, I often tend to use a softer light which, to me, feels a little more elegant. However, given the bright colors of the food and the interiors, I convinced the team to allow me to use a harder light that would create some shadows but also allow me to use the glassware/drinks to create a glossier and fresh look that I think makes all the dishes more appealing and somewhat conjures the feeling of eating seafood on a sun-drenched balcony overlooking the Italian Riviera.

The Caboose

The Caboose is an event venue in Hudson, NY that has fashioned an old farm, across the street from the Amtrak station, into a beautiful space. Of course, the food available for guests is even more beautiful. When I photographed this space, it wasn’t communicated to me that I would be shooting food but I was able to attach my strobe to my tripod and rig some aluminum foil as a beauty dish and I was pleasantly surprised with the results.

Il Verdi

Olivia Jane designs eye-catching and thoughtful spaces that pay tribute to their surrounding environments but also entice onlookers from afar. She has worked with Atlantic City based Il Verdi to create a massive space that opens out into a casino, and compliments the glitzy neon machines but once you reach the beachfront area, it’s airy space and dining cabana inject a calmness that may be hard to find in a casino.

The Hook

I had previously shared some photos for Superfrico, which is a restaurant adjacent to The Hook, a circus-like show, curated by Speigelworld, who hosts shows around the country, headquarted in Las Vegas. To promote The Hook and Superfrico, I was asked to photograph some of the characters from the performance (primarily acrobatic performers) in the restaurant space itself. Here are some selections from that shoot.

Meju

Meju is a fine dining, set-menu restaurant in the back of a lovely Korean market in Long Island City. The Infatuation was in need of some photos to accompany their review, and so they called upon yours truly to do so. When I light food, I try to match the mood of the space and the vibe. As Meju is an upscale one-seating-per-evening speakeasy playing Sinatra, it gave off the vibe of a single softbox sort of aesthetic, which you can view below.

Tatiana Nike Lincoln Center Event

Back in October, Nike hosted the World Basketball Festival at Lincoln Center, home to Tatiana, a restaurant named the best in NYC in 2023 by the New York Times. Kwame Onwuachi, the restaurant’s chef and proprietor teamed with catering masters CxRA to provide a dinner for the opening of the festival with the lovely backdrop of the Lincoln Center plaza.

Superfrico

Speigelworld has produced some modern adult-driven cabaret/circus-style performances in Las Vegas and, somewhat, recently opened a location in Atlantic City, with their adjacent restaurant, Superfrico. Although there is also a Superfrico in Las Vegas, the menus varies slightly and the team was in need of photography of the dishes and the spaces below.

The US Open

As Chase was a sponsor of last year’s US Open, so too did Chase-owned The Infatuation have a hand in the event, which meant a ton of exciting and new food. As part of the Infatuation’s list of Where to Eat at The US Open, I photographed dishes from the various vendors at the ā€œFlavors of the Openā€ event, some of which were household NYC names, while others were compact versions of high-profile restaurants.

Gilligan's

Gilligan’s is an outdoor oasis of a bar/restaurant at the Soho Grand Hotel. The client wanted their images to have a softness to them so, against my normal routine (and preferences), we shot only using natural light which did create a certain aesthetic that I’m happy to produce, but not the biggest fan of. It worked for the client, so it worked for me.